![]() In short, half-speed mastering produces a master of the highest quality that enables the pressing plant to produce a superlative record. Limited edition reissue of Burnin, numbered and pressed exclusively at Tuff Gongs newly refurbished pressing plant in Jamaica, which reopened in 2020. ![]() The result is a cut with excellent high frequency response and very solid and stable stereo images. This rare and specialized technique transforms difficult to cut highend frequencies into relatively easy to cut mid-range frequencies. Burnin is the sixth album by Jamaican reggae group the Wailers (also known as Bob Marley and the Wailers), released in October 1973. The procedure requires the source master and the cutting lathe to run at half speed on a specially adapted Neumann VMS-80 lathe. This record was pressed from a master cut using a precision technique known as half-speed mastering. All tracks were mastered by Miles Showell at Abbey Road Studios in London.Ībbey Road's world-renowned engineers have been cutting grooves into discs since the studios first opened their doors in 1931. This specialist artisan process results in a more detailed representation of the original sound source cuts, with a far superior high-frequency (treble) response, and richer and fuller low to middle frequencies. In November 2020, twelve Bob Marley albums will be available on premium half-speed mastered vinyl. This the last time they worked together as a unit, and there is no better example of their teamwork than what you hear on ‘Burnin’”.Mastered at Half-Speed by Miles Showell at Abbey Road Studios in London Teamed with Tosh, Livingstone (Bunny Wailer) and Marley, plus keyboardist Earl Lindo, they made a formidable unit that ultimately changed the face of music. Together, they forced musicians to think outside of the box. Aston “Family Man” Barrett was one of the most talented influential bassists of any genre, especially when teamed with his drummer brother, Carlton. Provided to YouTube by Universal Music GroupBurnin' & Lootin' (Live At Music Hall, Boston / 1978) Bob Marley & The WailersEasy Skanking In Boston '78 2015. Clapton was quick to jump on board and in his wake, it seemed as though everybody wanted to tackle this new style, but as far as rhythm sections are concerned, The Wailers were untouchable. Most American and English groups felt compelled to tackle the rhythm, and handled the change awkwardly (including Clapton), but reggae started to spread exponentially as band after band grew attracted to its unique feel. With reggae, a downbeat was no longer explicitly obvious. The general public may have been denied, but musicians of all stripes couldn’t help but take notice of a music style that redefined their fundamental ideas of rhythm. This record was pressed using a precision. The Wailers: Burnin Island, 1974 This is as perplexing as it is jubilant-sometimes gripping, sometimes slippery. Radio programmers’ need for categorization rendered reggae music into a square peg in a sea of round holes, and marginalized the band. ABBEY ROADS world-renowned engineers have been cutting grooves into discs since the studios first opened in 1931. They were decidedly not a rock act, but they didn’t fit at all comfortably with R&B stations, either. In America, the biggest problem facing the Wailers was radio’s inability to determine an appropriate slot for them. Wedged between these serious topics are the gospel-tinged “Hallelujah Time” and the celebratory spiritual pull of “Put It On.” “Burnin’ and Lootin’” is not far behind and self-explanatory, while “I Shot the Sherriff” is yet another tale of the plight of the underdog. “Get Up, Stand Up” is a call to arms for the disempowered and one of the Wailers’ most blatantly political songs. Side one of the original album highlights this contrast. Perhaps because it features all three singer/songwriters, it is one of the most diverse records in the Wailers catalog, with heavy political sentiments sitting comfortably beside more spiritual works. The album is also unique in that it represents the last time that Marley, Peter Tosh and Bunny Wailer would record together as a band. It should be noted that the album’s chart peak occurred almost two full years after its release, due partially to Clapton and partially to Marley’s subsequent fame, particularly in Great Britain. Initial sales may have been modest, but Clapton’s endorsement made the world aware of Bob Marley and his bandmates, helping to launch “Burnin’” as a best-selling catalog item. Although “Burnin’” did not sell particularly well when first released, it is nevertheless the album most responsible for spreading knowledge of reggae music around the world, helped in no small part by Eric Clapton’s diluted cover of Bob Marley’s “I Shot the Sherriff” (which first appeared here in its original form).
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